Ursula Le Guin’s 1969 novel, The Left Hand of Darkness, experiments with form and structure in ways that directly reflect the ideas embodied within the novel’s content. In form, structure and content, The Left Hand of Darkness experiments with the harmonious union of opposites, including perceived gender differences and the relationships between fact and fiction, truth and myth, reality and story.
How many frames in a five-second film? Forty-five in 1894: that’s nine frames per second. Each moment captured one-ninth of a second’s presence and the sneeze from beginning to end lasted five seconds. In the film, I see the sneeze sneezing before my very eyes. A phantasmagoria – this ghost from the past: a man long dead who lives on in his eternal sneeze.