I spent time this week creating a poem-installation for the Waterweek 2019 Vital Water Exhibition at Gallery North in Hailsham.
[The Binnie Sisters at Birling Gap Summer Solstice 2003/ Sonnet]
This sonnet was written from notes taken during an encounter with Christine Binnie’s large ceramic pot, The Binnie Sisters at Birling Gap Summer Solstice 2003, at the Towner Art Gallery, Eastbourne; exhibited as part of Figure Study II, spring 2019.
‘Livingness enacted through a form’
In writing the dailiness of life, the reality releases the dream of perfection. In my own writing practice, I've returned to the ground of my everyday life - journalling with the daily reality of my material circumstances. I've found an excitement in exploring the brevity of the sonnet form, and the openness of its contemporary innovations, to make poetry from my world.
Radical Affirmation & Writing with Ganesha
Imbolc is a time for drawing the seeds of possibility out from the deep dreamworld of winter darkness, into the earth of everyday life where they can be planted in the ground to grow. A time of radical affirmation: acknowledging the daily details of the life I have manifested up to now. Writing with radical … Continue reading Radical Affirmation & Writing with Ganesha
Valentine’s Sonnet
This week's writing practice has been grounded in the realities of my daily life. Journalling & free-writing became a starting point for developing a poetic response in exploring the sonnet form through contemporary experimentation.
Imbolc & Aquarian New Moon
This week's writing practice has drawn on the seasonal shift into Imbolc and the power of the waxing moon to plant seeds for future growth.
Entering the void: through Theresa Hak Kyung Cha’s Dictee
Cha is doing something far more interesting than describing here, though. The way she uses language constitutes an attempt to perform the function of mantra: that is, to do what mantra does.
blood’s shadow
blood moon shadow opening temporal parietal occipital fontanelle crown opens
‘moon before the sun pronounces’
The ritual of the eclipse, the ritual of the text, becomes our ritual. We participate in its duration as actively engaged readers, entering into relationship with its author Theresa Hak Kyung Cha, and with each other as we do so.
Inconclusive Narrative
Nancy Cunard - searingly aware of the 'hell' of a reputation - makes a case for the inconclusive in both life and narrative, refuting the totalising perspective from which ultimate judgements can be made.