[The Binnie Sisters at Birling Gap Summer Solstice 2003/ Sonnet]

This sonnet was written from notes taken during an encounter with Christine Binnie’s large ceramic pot, The Binnie Sisters at Birling Gap Summer Solstice 2003, at the Towner Art Gallery, Eastbourne; exhibited as part of Figure Study II, spring 2019.

‘Livingness enacted through a form’

In writing the dailiness of life, the reality releases the dream of perfection. In my own writing practice, I've returned to the ground of my everyday life - journalling with the daily reality of my material circumstances. I've found an excitement in exploring the brevity of the sonnet form, and the openness of its contemporary innovations, to make poetry from my world.

Valentine’s Sonnet

This week's writing practice has been grounded in the realities of my daily life. Journalling & free-writing became a starting point for developing a poetic response in exploring the sonnet form through contemporary experimentation.

Entering the void: through Theresa Hak Kyung Cha’s Dictee

Cha is doing something far more interesting than describing here, though. The way she uses language constitutes an attempt to perform the function of mantra: that is, to do what mantra does.

‘moon before the sun pronounces’

The ritual of the eclipse, the ritual of the text, becomes our ritual. We participate in its duration as actively engaged readers, entering into relationship with its author Theresa Hak Kyung Cha, and with each other as we do so.